Réplica

by rauelsson

Réplica cover art
/
1.
2.

about

Tracklist [ 36.5 min ]

LP

• 180 gram audiophile vinyl LP
• Ltd. Edition; 557 hand numbered copies
• Contains digital download coupon
• Liner notes featuring an introduction by Peter Broderick and history from Raúl Pastor Medall

Available @ www.hushrecords.com
Spain | Available @ www.bornerecordings.bigcartel.com

CD

• 6 panel liner notes printed with metallic ink, featuring an introduction by Peter Broderick and history from Raúl Pastor Medall
• HUSH window Arigato Pak

Available @ www.hushrecords.com

'Réplica' is a new Rauelsson record. Spanish-born, Portland OR-based Raúl Pastor Medall and multi-instrumentalist Peter Broderick recorded and co-produced ‘Réplica’ collaboratively. The album comprises of two pieces of music, most of which revolve around layered guitars, reverberating pianos, strings, and haunting, atmospheric vocals. In appreciation to the renaissance of the vinyl era, the two pieces of music were born to be side -a- (14:29 min) and side -b- (21:56 min) of a record.

After some preliminary work sending tracks back and forth via electronic correspondence for more than half a year, Raúl and Peter finally got together in Oregon in July 09, and spent an entire week finishing the album; recording pianos in a pre- elementary school class, opening windows in a house in SE Portland for the chance sounds to be a part of their recordings, placing a field recorder on a tire swing that was hanging from an old oak tree, recording themselves running in circles around such oak tree, using bushes and stepping onto rocks as percussion, retreating for a couple of days to finish the album on a barn near Carlton, OR, where Peter’s dad lives..., they just let their imagination go free with not other principle than enjoying music and their time together.

‘Réplica’ is a sonic fountainhead, a journey of sounds and words. Rich in texture and structure, even epic and quite experimental on some passages, the record also presents the most introspective and bare folk songs Raul’s has written to date. Beyond his role as co-producer and player of a wide-range collection of instruments, Peter’s main contribution in ‘Réplica’ is a series of interludes and improvisations created to interconnect Raúl’s songs within each piece. Some of these improvisations were recorded over foggy soundscapes created by multi-talented music/visual artist Chad Crouch. Peter’s sorrowful violins rise and fall delightfully, opening and closing spaces, and he clearly shows here that he has found a lucid place in his vocal performance that is plastic enough to be used without limitations. Peter’s sister, Heather Woods Broderick, also participates on the record; she played flute, sang, and helped arrange cello parts for the record, which are grand though their character is often so unobtrusive that music breathes simple in their nature. Not afraid of its ambiances, sparse or epic moments John Askew (Tracker) classily mixed the album in his Scenic Burrows studio, in Portland OR. The record has been mastered on magnetic tape by pianist/sound maestro Nils Frahm in Berlin, Germany.

credits

released 11 January 2011
Songs by
Raúl Pastor Medall

Interludes & Improvisations by
Peter Broderick

Recorded & Produced by
Raúl Pastor Medall & Peter Broderick
(Includes recordings by Adam Selzer at Type Foundry, Portland, OR during April-May 09 and by Juan C. Tomás at La Seta Azul, Benicàssim, Spain during February 09)

Mixed by
John Askew at Scenic Burrows, July-August 09,
Portland, OR

Mastered by
Nils Frahm at Durton Studios, September 09,
Berlin, Germany

Lacquer Mastercut by
Andreas [LUPO] Lubich at Dubplates & Mastering, June 010,
Berlin, Germany

Layout by
Rob Jones

Painting by
Chad Crouch

Raúl Pastor Medall
Nylon, Acoustic & Electric Guitar, Bass Pedal, Piano, Vibraphone, Marimba, Glockenspiel, Marxophone, Pump Organ, Percussion & Vocals

Peter Broderick
Piano, Violin, Accordion, Electric Guitar, Musical Saw, Mandolin, Field Recordings, Glockenspiel, Percussion & Vocals

Heather Woods Broderick
Cello, Flute & Vocals

Chad Crouch
Soundscapes & Programming

Nicholas Marshall
Vocals

Laurel Simmons
Vocals

tags

license

all rights reserved

feeds

feeds for this album, this artist

contact / help

For help with downloads, click here.

For all other inquiries, click here.

Track Name: El Lobo, la Liebre y la Panza del Burro
Si me quedé sin nadar en el río fue que no vi claro en el fondo, y se quedó todo a orillas / y si no subí el camino pendiente fue que sólo vi nube gris en la cima, como panza de burro / y menos mal que todo lo nuevo está en el camino, y crece salvaje, está en el camino, como un manantial / Redoblan las lunas llenas, y no nos asustan, eso no / redoblan más lunas llenas, y no nos asustan, eso no / y somos más lobos que santos de cruz, ¿o es que no lo ves? / y no bajes velas que no hay temporal, es sólo tu miedo a llegar / Sin querer yo te empujé fuera de la luz, o algo peor / y luego me escondí como una liebre, me escondí de ti / y vi pasar las nubes en trozos, buscándose entre sí, como advirtiéndonos; se os olvidó, el tiempo es un músculo, que estúpido es tenerlo siempre tenso / si conseguimos ser la mitad, la mitad, la mitad, la mitad, la mitad de cuando nos dijimos: ya verás, esta vez, ya verás, esta vez, esta vez sí
Track Name: Un Castillo, un Molino, un Mapa y un Plan
Y cuando casi ya no nos reconocimos, y nos vimos correr hacia donde antes hubiéramos huido / y tengo un mapa y tengo un plan, tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan / tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan / tengo un mapa y tengo un plan, tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan / tengo un mapa y tengo un plan, tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan, yo tengo un mapa y tengo un plan para cuando ya no nos reconozcamos / Caminé hasta perder de vista el rastro, y dime ¿volverás? ¿o te defenderás? y construirás el castillo más alto / y quedará todo afuera, y tendré que enviarte un pájaro / y el mensaje que trae es que construiré la escalera más alta / si he de perder el vuelo, que no sea nube, nube a nube, si he de perder el vuelo que no sea nube a nube, nube a nube, nube a nube / nube a, nube a, nube a, nube a / Andamos todo en la lluvia, y nos llenamos de agua; y cuando nos llegó el tiempo de las grietas nos vimos las caras camino del astillero / y con nuestros cuerpos movimos las aspas como en un molino; y empecé a escuchar las voces otra vez limpias, ya no rasgaban como lata / yo quiero la voz limpia, yo quiero la voz limpia como el molino de aspas, que sube el agua tan limpia